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Product Archives 2005

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	Product Archives 2005	Product Archives 2006

December 2005

New design for the Digiflex Musiflex series of cables

Over the last twenty years, Digiflex has established itself as the de facto standard in high quality audio and video cables in Canada. To this day, Digiflex continues to offer innovative solutions with the reintroduction of the universally accepted Musiflex series of cables which now feature a sleek new design.

The new Musiflex series, developed in response to feedback received from its customers, offers several new features and improvements while remaining in the same price range. The quality and look have also improved and, for simplicity, most model numbers have remained the same.

Features and benefits:

New smaller packaging – higher density on your in-store displays
Bar codes – quicker entry at your cash register
All cables feature genuine Rean connectors made by Neutrik – quality products from the world leader in audio connectors
New super flexible pro cable – easier to handle
Overmolded strain reliefs – increased ruggedness
Black and gold connectors on most models – improved appearance and contact integrity
Color coded pairs for many models – easier channel identification
The Digiflex brand printed on the cable – gives customers the assurance they have a quality product
New sleek look – higher customer appeal

Musiflex cables are covered by a 5-year limited warranty.

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November 2005

QSC audio INTRODUCEs Four New CINEMA Surround Loudspeakers

New additions to the DCS Series deliver the ultimate in surround sound

QSC Audio Products, the acknowledged leader in cinema sound, continues to expand its commitment to providing the ultimate sonic experience with the introduction of four new two-way digital cinema surround loudspeakers that are designed to optimize audience coverage and deliver superior sound in any size venue.

Today’s cinema seating is located closer to the surround loudspeakers. Therefore, audiences hear localized sources rather than the proper diffuse sound field. Dolby Digital Surround EX ® and DTS-ES ® formats also place unprecedented output level demands on these surrounds, which can only be compensated for by grouping them closer together at greater cost. QSC designed the SR-26 and SR-46 to combat these sound challenges and to better provide the ultimate movie-going experience. The SR-26 features two high-power, long-throw 6.5” low-frequency transducers, and the SR-46 is designed with four high-power, long-throw 6.5” woofers. Both models feature a 1” titanium diaphragm high-frequency compression driver, and a 90º horizontal by 50º vertical dispersion pattern for greater reach and a more consistent SPL.

The SR-18 is a compact, cost-effective system featuring a high-power, long-throw 8” low-frequency transducer, while the SR-110B boasts a high-power, long-throw 10” low-frequency transducer. Both feature a 1” titanium diaphragm high-frequency compression driver and a 95º horizontal by 85º vertical dispersion pattern.

Each of these new additions to QSC’s DCS Series offers extended frequency response, high power handling, and excellent sensitivity. As with all QSC products, they deliver great sound, reliability, and out-of-the-box performance backed by QSC’s legendary service and support. From one end of the B-chain to the other, QSC delivers superior sound.

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October 2005

MD Series Powered Loudspeakers

QSC's MD (ModularDesign™) Series continues to incorporate the highest quality components available into a robust and versatile enclosure. With the addition of the powerful PM-1000 Power Module, QSC now offers self-powered models to the expanding series. MD Powered make an exceptional choice for a wide variety of applications, including houses of worship, performing arts facilities, hotels and casinos, clubs, and sporting facilities. For design/build contractors and electro-acoustic design consultants, the MD Series represents a comprehensive solution to the myriad of challenges encountered in permanent sound reinforcement installations.

Designed as a family of modular, arrayable, full-range loudspeakers, the MD Powered cabinets include the MD-FP122/64r, MD-FP122/94r, MD-FP152/64r, and MD-FP152/94r models, offering various coverage patterns and employing 12" or 15" low-frequency drivers. These models share the same 35" tall, 30° trapezoidal enclosure as their passive MD-Series brethren.

As all ModularDesign loudspeaker models share a common form factor, creating full-range or combined full-range/low-frequency clusters is painless. Since the enclosures are designed with 30° angles, tightly packing them together splays the 60° x 40° horns perfectly and provides uniform coverage in any multiple of 60° to 360°. No gaps or spacers are required, and the radial front grilles form a contiguous cylindrical surface for a clean and aesthetically pleasing appearance.

Key Features of the MD Series

All full-range models feature a rotatable high-frequency horn, enabling them to be utilized either vertically or horizontally
The MD Series is available in either black or white finishes
System enclosures are the same dimensions and feature 15 attachment points
All models constructed in a trapezoidal design of multi-ply Birch with a powder coated steel grille

Key Features of the PM-1000 Power Module

Provides 1000 watts of power to the cabinet
Weighs only 8 pounds
120 V and 230 V models available
Accepts balanced XLR input connector with pass-thru option
On/Off switch

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QSC introduces new members of QSControl.net family of products

QSControl.net, QSC's next-generation networked audio system platform, achieves the seamless integration of the company's signal transport, processing, and monitoring technologies. System design and real-time control and monitoring are implemented via a fully integrated graphical user interface.

As part of the company's QSControl.net platform, we find three types of machines; BASIS units integrate signal transport, signal processing and amplifier monitoring technologies, RAVE boxes do transport and processing, and finally DSP boxes do only local processing. Recognizing that there were varied needs in the marketplace, QSC introduces four new BASIS devices, two RAVE boxes, and a DSP unit. These are the BASIS 722az, BASIS 914lz, BASIS 922dz, BASIS 922uz, RAVE 520uz and the RAVE 522ua, and DSP 322ua models.

The signal transport component of QSC’s technologies is called RAVE (Routing Audio Via Ethernet), an integration of Peak Audio’s industry-standard CobraNet™, a technique to carry up to 32 channels to and from system nodes over regular CAT5 Ethernet cables and standard network devices.

The DSP (Digital Signal Processing) section implemented in QSControl.net boxes is unique in that it features a short and fixed processing latency through the DSP subsystem. Users of most other configurable DSP systems are familiar with a variable latency inherent in the processing configuration. Add more processing blocks and you also add delay, whether you want it or not. When the A/D and D/A converters are included, the total analog-to-analog latency of a single unit is a negligible 2.354 milliseconds. QSC's fixed latency DSP is configurable DSP that stays fast and predictable from one configuration to the next.

The last component to be integrated in the new boxes is QSControl itself, the technology QSC developed to control and monitor signals going through its amplifiers. QSControl.net can determine signal presence, clipping, open or shorted speaker lines (it monitors both voltage and current to calculate if the system is operating under user-defined limits). QSControl.net can also monitor amplifier temperature and can put the amplifier in sleep mode. QSControl.net designers can easily build custom user interfaces and implement automated event-based system response.

We invite you to visit QSC’s website at http://www.qscaudio.com/products/network/basis/qscontrolnet_basis.htm to review the different models’ specific feature sets and to determine which model(s) would best fit your next installations.

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SHURE INTRODUCES UHF-R WIRELESS
Do more in less time with added reliability and control

Offering superior RF performance and rock-solid reliability, as well as unparalleled control even in large, networked systems, Shure's new UHF-R wireless is now shipping. With 2,400 selectable frequencies across a 60 MHz bandwidth, UHF-R allows up to 40 preset compatible systems to be operated per band, and up to 108 systems can be put to work using multiple bands. Complementing this expanded window of operation is Shure's Advanced Track Tuning Filtering Technology, which shifts onboard RF filtering within selected frequencies to maximize compatibility and maximize isolation from interference.

Engineered to save time and effort in both fixed installations and touring sound applications, UHF-R is outfitted with an advanced feature set including automatic frequency selection with group scan, infrared automatic transmitter sync, and smart menu-driven system operation facilitating quick setup times and intuitive use.

Sounding more like a hardwired system than a wireless, UHF-R draws its crystal-clear audio characteristics from Shure's patented Audio Reference Companding circuitry. Using a variable companding ratio that automatically responds to audio levels, Audio Reference Companding eliminates wireless artifacts and increases dynamic range far beyond the capabilities of conventional wireless systems.

Equipped with a bitmapped LCD display providing access and control to all integral system functions, the UHF-R UR2 handheld transmitter features frequency and power lockout, and is available with a full line of Shure capsules including the SM58, SM86, SM87, Beta 58, Beta 87A, and Beta 87C. UHF-R systems can additionally be used with any Shure headworn, lavalier, or instrument mic, or a WA302 instrument cable when using the UHF-R UR1 bodypack transmitter.

Available in both single and dual choices, the UR4S and UR4D wireless diversity receivers feature a flash memory capable of storing six 60-channel custom frequency groups, AMX and Crestron compatibility, USB and Ethernet network control and monitoring, and can be customized with an extensive range of accessories including an antenna/power distribution system, passive antenna splitter kit, and active or passive directional wideband antennas. Also included with all UHF-R systems is Shure's Wireless Workbench software, which provides comprehensive PC management of all system parameters plus a real-time view of your complete networked environment.

UHF-R systems have a working range of 500 feet under typical conditions. Depending upon the microphone element, UHF-R frequency response ranges from 40-18,000 Hz, +/- 3 dB, while dynamic range is >105 dB, A-weighted.

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EAW's NT Series – Premier Self-Powered Loudspeakers

NT SERIES -- The First Loudspeakers with Gunness Focusing™ Technology

The NT Series of loudspeakers with Gunness Focusing represent a true breakthrough in powered loudspeaker design. NT loudspeakers are compact, self-powered, and extremely lightweight while providing the exceptionally high output required for professional use. More importantly, they are the first high-output loudspeakers to deliver studio monitor quality sound, in portable as well as permanent installations.

The NT Series are not conventional PA loudspeakers. They incorporate a revolutionary active DSP (digital signal processing) technology we call Gunness Focusing - after its inventor, David Gunness - EAW's Director of R&D. In basic terms, Gunness Focusing corrects the sonic problems inherent in conventional compression driver phase plugs, horns, and LF driver technology. This, along with the highest quality internal amplification, affords sonic performance comparable to premium direct radiating studio monitors, but at much higher output levels.

All digital processing hardware and software necessary to implement Gunness Focusing was custom designed by Acuma Labs, Ltd, and the internal DSP is factory preset to provide correct and consistent performance. The NT’s integral electronics are based on proven, high efficiency amplifier technology, and feature field-replaceable amplifier modules for added convenience and minimal down time should an extremely rare amplifier failure occur.

NT Models
The 2-way NT loudspeakers are available in both 12-inch and 15-inch LF driver formats. Different coverage patterns are offered to meet typical coverage requirements depending on intended applications. The trapezoidal design of the enclosures makes them easy to use as a main PA loudspeaker, or as a floor wedge for stage monitor applications.

The companion NT Subwoofer complements the NT full-range loudspeakers by extending low frequency response as well as increasing low frequency output capabilities. The drivers are installed in a “push-pull” configuration where one faces into the enclosure while the other faces outward. The drivers are connected with opposite polarity, so both cones move in the same direction. At high output levels, each cone "loads" the other in the opposite direction smoothing out any mechanical asymmetries. The result is significantly reduced distortion, even at ultra-high output levels.

NT Amplification
To maximize performance, the full-range loudspeakers are bi-amplified, meaning the LF and HF drivers each have their own Gunness Focusing DSP and built-in, high-efficiency amplifier (1000 W LF and 500 W HF). The subwoofer is dual-amplified, meaning each driver has its own built-in, high efficiency amplifier (1000 W each).

Application Usage:
The NT Series can be used for wide variety of portable and permanent installation applications:

Theatres
Corporate AV
Clubs
Houses of Worship
Schools
Gymnasiums
Band PA
and many others

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September 2005

NTI introduces the TalkBox, an acoustical STI-PA Reference Loudspeaker/Generator

NTI introduces the TalkBox, the missing link for the complete evaluation of speech intelligibility in emergency life & safety announcement systems, from the talker’s microphone to the listener’s ear.

Using the TalkBox greatly simplifies the feed of the STI-PA intelligibility test source signal in closed sound reinforcement systems, as it presents the standardized voice-like acoustical signal emission simulating a human talker according to IEC 60268-16, combined with a TNO certified speech intelligibility signal at standardized levels.

The TalkBox features human head-like dimensions and is based on a Solid-State-Generator. It perfectly equalizes the STI-PA test signal and replays it at the precisely correct playback sampling rate, also minimizing systematic errors through the internal amplifier and internal precision loudspeaker.

Due to the required overall accuracy of ±1 dB over the relevant frequency range, each TalkBox is individually equalized and calibrated for precision output. The radiation characteristic complies with the ITU-T P.51 in wide ranges.

The speaker may additionally be muted via an external remote control interface. Other test signals such as Delay Chirp, Polarity Signal, and White and Pink Noise are also available and are fed to the XLR output with flat equalization. A microphone stand thread and a carrying case complete the functionality of the TalkBox.

“The TalkBox is extremely simple to operate and finally completes the entire chain of speech intelligibility measurements. The portable STIPA implementation is gaining more and more popularity and the launch of the TalkBox is the logical step to complete the measurement chain from the talker to the listener.” says Philipp Schwizer, CEO of NTI AG.

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Genelec 8020A - A new category of precision monitoring

Introducing the 8020A, the newest (and smallest) model in the 8000 MDE TM series, Genelec now launches a professional playback monitor design in a totally new size category.

All forms of distortion have been minimized in this design that features the Minimum Diffraction Enclosure ( MDE TM ) technology. The imaging accuracy and low frequency extension achieved with such an extremely compact enclosure are truly astounding. The advanced Directivity Control Waveguide ™ provides an amazingly flat on and off-axis response. The long and curved reflex port featuring wide flare termination enables excellent bass articulation.

The Genelec 8020A brings to life the results of persistent research and development of genuine new technologies. Once combined with the new Genelec 7050B LSE TM subwoofer, you have in your hand a professional wide bandwidth surround sound monitoring system.

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Furman Q-Series EQ’s

The new Furman Q-Series EQ’s are designed for use by live sound engineers, recording studios, and musicians. These units feature constant Q circuitry with 4% center frequency accuracy. Each is equipped with 1/4” TRS and XLR balanced inputs/outputs, and RCA unbalanced inputs/outputs for the flexibility to interface with a variety of systems.

Switchable to a +/-6dB range for more control and better dynamics, they feature +/-6dB and +/-12dB range LED indicators. Each channel bypass switch has a red LED indicator to compare the equalized sound to the original sound, and each channel is outfitted with a clip LED for overload detection. A shielded internal power supply provides for low noise operation. Selectable AC input voltage between 120 VAC 50/60HZ and 240 VAC 50/60 HZ allows for use in almost any location. Durable all steel construction makes these units perfect for life on the road.

The Furman Q-Series is protected by a three-year limited warranty covering defects in materials and workmanship.

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July 2005

EAW Introduces 12 New Models into their Popular MK Series of Compact Installation Loudspeakers

New MK 2300 and MK 5300 Speakers Feature New Drivers, Selectable Single-amp/Bi-amp Operation, and Even More Output than Ever Before

EAW introduces 12 new models in their popular MK Series of compact, two-way, fixed-nstallation speakers. The new MK2300 and MK5300 benefit from new components and circuitry that not only increase their trademark “workhorse” versatility, but also allows them to deliver even more high-quality sound than any other speaker near their price and size.

The new MK2300 and MK5300 speakers begin with an all-new 3-inch-voice coil compression driver that is mated to one of six different HF horns with patterns ranging from 60° x 45°, to 120° x 60°. The horns are as large as the enclosure size allows in order to maintain consistent directivity throughout the HF passband. In addition, the HF horns are user-rotatable, allowing installers to mount the loudspeakers in both vertical and horizontal applications. Even the LF driver is purposely designed to complement the sonic character and output of the HF driver.

All MK Series models are carefully designed to sound similar, permitting diverse horn patterns to be mixed throughout an installation while maintaining the same sonic quality. The result is a cleaner, high-fidelity output at significantly higher levels than is normally expected from a speaker in the new MK’s size and price category.

In addition, all MK Series models can be switched from single-amp to bi-amp operating mode. In single-amp mode, the beamwidth matching passive crossover is designed for even power response through the crossover, low power losses, and high power handling. In bi-amp mode, the loudspeakers are designed to work with an outboard digital signal processor (DSP). This improves power transfer and provides more sophisticated processing to maximize performance.

“The new EAW MK Series incorporates the famous EAW technology in such a smart package that makes them the perfect solution for the main PA in an endless list of small applications,” commented Rich Frembes, Product Director for EAW. “We are pleased to introduce the latest additions to our popular MK Series and to continue to grow this popular EAW line.” (07/2005)

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NEW Neutrik's XX Series!

The new XX series is the successor of Neutrik’s well established X series, the universally-accepted industry standard for professional XLR cable connectors.

The new XX series, which was partly developed in response to suggestions Neutrik received from its customers, offers several new features over the X series while remaining within the same price range.

Features and benefits

New attractive and sleek design;
Simple and ruggedized die cast housings with internal thread for longer life;
Unique cage-type female contacts with 7 independent contact springs for a low contact resistance and high integrity.
Solder barrier to prevent solder to run into the contact areas;
New improved chuck-type strain relief with higher pull out force.
Improved ratchet lock to prevent accidental opening of the strain relief;
Improved keying;
New latch locking;
Additional ground spring contacts;
Improved locking area on male housing - no damage possible;
New colored coding rings on 10 resistors colors, which can be added to cables. (07/2005)

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June 2005

Furman Sound Introduces Merit Series Line of Affordable AC Power Solutions.

Furman Sound is introducing the Merit Series, a complete line of rack-mount solutions for managing AC power issues. The Merit Series offers excellent performance at an affordable price point. The M-10 is a single rack space AC distribution system with ten contractor-grade AC receptacles in a single rack space design.Three different rack-mount Power Conditioners (the M-8, M-8L, and M-8D) offer standard power conditioning: AC noise filtration, and surge and spike protection. The M8-L features front panel lights and the M-8D adds a digital voltage meter.

Rounding out this line, are the AR-1215 Voltage Regulator and PS-8R AC Sequencer. The AR-1215 provides a stable, steady 120 volts of AC to connected equipment, regardless of the voltage coming in (between 97 and 141 volts). The PS-8R sequentially powers connected equipment on and off in 3 stages, conveniently saving time and preventing damage. Additionally, both the AR-1215 and the PS-8R have Furman’s standard power conditioning with filtration and protection built in!

The Furman Merit Series is designed to provide lower-cost solutions to meet the needs of musical hobbyists, installers, or for any application where a quality, cost-effective solution is needed. (06/2005)

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Furman Introduces a Rack Mount Version of Their Power Factor Pro Power Conditioner.

Furman Sound is introducing a single rack space version of their popular Power Factor Pro floor / stage Power Conditioner. The new unit, called the Power Factor Pro R, employs all the same components found in the stage version. This includes Furman’s SMP+ (Series Mode Protection Plus) power filtration and surge and spike protection. This technology incorporates LiFT (Linear Filtering Technology), designed to clean and filter unwanted AC line noise, as well as comprehensive series mode electrical surge and spike protection including E.V.S. (Extreme Voltage Shutdown). E.V.S. automatically shuts down incoming AC when it exceeds 138 volts RMS offering a further level of protection for your valuable equipment.

Both Power Factor models utilize Furman’s Clear Tone Technology that provides Power Factor correction with 45 amps peak current reservoir . This circuit also offers an extra level of filtration to deliver the highest level of AC line noise reduction available in a power conditioner.The PF-PRO and PF-PRO R are ideal for all forms of power amplifiers, musical instrument amps, or any application where an extra level of AC noise filtration is desired and extra current is needed to drive electrical components. (06/2005)

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April 2005

QSC unveils new three-way screen channel loudspeakers

Five new three-way loudspeakers have joined QSC's DCS series, bringing to nine the total number offered within the line dedicated to movie theater screen channel use. The modular product group ranges in size from the compact SC-413 to the flagship SC-443, which utilizes a 4x15 bottom end and the manufacturer's proprietary MH-1075 mid-high section.

"The development of these new three-channel DCS models was fueled by our continuing efforts to offer audio solutions for everything from high-end screening rooms to auditoriums of all sizes," QSC's Cinema Market Manager François Godfrey said upon taking news of the product launch public. "QSC occupies a unique position within the marketplace in that we're of a size that allows us to bring precise focus to cinema, yet still more than capable of delivering the quantities needed for multiplex construction."

Applying the same skills responsible for building its long-standing reputation to this, its latest cinema endeavor, QSC has given the new DCS three-way screen channel loudspeakers uniform performance characteristics, requiring minimal EQ to achieve cinema-specific frequency response goals. Easily integrated into new builds or upgrades to existing systems, thanks to clearly marked terminals and mounting hardware developed with quick installations in mind, the products offer greater value thanks to selectable biamp and triamp operation.

Mid-high sections found in all five systems feature a horn-loaded midrange transducer topped by a titanium diaphragm-compression driver coupled with an adjustable pan-and-tilt bracket. With nominal coverage rated at 90 degrees horizontal by +20 degrees to -30 degrees in the vertical plane, each is outfitted with its own driver-protection network and a passive crossover for biamp use, and additionally facilitates high-frequency crossover points of up to 1,800Hz to ensure that most dialog is reproduced by a single element for added intelligibility.

The low-frequency enclosures provided with each new three-way DCS screen channel system were designed xpressly to meet the needs of the extended LF response required in modern cinema applications. Central to the success of each offering's low-end capabilities is QSC's close-coupled woofer (CCW) technology, which keeps coverage angles considerably wider over a greater frequency range than traditional devices employing widely spaced woofers. The DCS family of three-way screen channel loudspeakers includes models SC-413, SC-323, SC-423, SC-433 and SC-443. (04/2005)

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March 2005

Shure PGX Performance Gear® Wireless Systems Are Now Available for the Canadian Market!

Product Line Promises Great Sound, Ease of Use at Low Price Point.
Shure has announced the availability of its PGX Performance Gear® Wireless systems. Positioned as part of the company’s value-priced Performance Gear® line, PGX Wireless promises to bring unmatched performance and ease of use to local musicians, houses of worship, and others looking to “step up” to wireless professional audio. This new product made its worldwide debut at the Music Industry Association of Canada (MIAC) trade show in Toronto in August.

True to the promise of the Performance Gear® line, the PGX Wireless combines plug-and-play simplicity with a modest price point, making the switch to wireless an easy one, even for first-time buyers. There are a total of eight PGX Wireless system configurations available, equally divided between handheld and bodypack systems.

Crystal-clear sound quality is attained through Shure’s patented Audio Reference Companding technology, which allows the full fidelity of the Shure microphone capsules to shine through. The handheld vocal microphone versions offer the following microphone options: the rugged PG58, classic SM58, and premium Beta 58 dynamic mics, or the acclaimed SM86 condenser. Bodypack systems include the Guitar System (for guitar and bass), Lavalier Vocal System (with SM93 microphone), Instrumentalist System (with Beta 98 horn mic), and Headworn Vocal System (with WH20 mic). Both the PGX1 bodypack and PGX2 handheld transmitters get eight hours of continuous operation from two AA batteries.

Users will be amazed at the ease with which the system can be set up. With one touch of a button, the PGX4 receiver’s Automatic Frequency Selection function find an open channel from among the 90 frequencies on board. Then – again with a single touch – an infrared link provides Automatic Transmitter Setup, so even beginners can have their PGX Wireless up and running, interference-free, in no time.

To ensure outstanding wireless performance, all PGX systems feature Shure’s patented, microprocessor-controlled Predictive Diversity reception and full frequency agility across a generous 18MHz bandwidth. Preset frequency compatibility allows up to nine systems per band to operate simultaneously, with 12 systems easily attained by using multiple frequency bands.

All PGX Wireless systems are built to Shure’s legendary standards of ruggedness and reliability, and come with a padded carrying case included. (03/2005)

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TT24: a digital console for analog minds

The commercial audio market can now experience Mackie’s new 24-mic input digital mixer developed specifically for live sound applications such as clubs, theaters, houses of worship, rental companies, sound production companies, egional touring acts as well as weekend warriors. The Mackie TT24 is a 56 x 45, 24-bit, 96kHz capable digital live console with 100mm touch-sensitive faders, on-board analog and digital I/O, full channel metering, digital recall, EQ, dynamics, and effects.

TT24’s rear panel is equipped with all of the necessary I/O connections to take full advantage of the board’s functionality right out of the box. In addition, powerful on-board DSP capabilities virtually eliminate the need for expensive outboard equipment. On board the TT24 are: 24 mic/line inputs with 4-band EQ/comp/gate, eight line inputs with 4-band parametric EQ, Left-Right-C/Mono outs with 4-band parametric EQ and comp/limiter, 12 aux sends with 4-band parametric EQ & comp/limiter, eight groups with 10 assignable 4-band parametric EQ & comp/limiters, eight matrix outputs with 600ms of total delay.

The TT24 development team drew extensively on Mackie’s history as a provider of high-value small-format analog live onsoles, as well as the company’s extensive experience in digital audio technology, to equip the TT24 with an enhanced set of live sound tools that simply aren’t available in the analog world. These tools include the incorporation of a true Aux Mode, which instantly converts the console from FOH mode to monitor mode; eight flex groups, which are each individually configurable for mono, stereo, LCR, or VCA operation as well as a feature called Matrix Plus, a large 11x8 matrix that allows digital patching of any desired signal into the matrix.

Every Mackie TT24 Digital Live Console ships with a copy of the TT Control Software, a PC-based GUI that connects to the console via USB. The TT Control Software allows for a much larger view of console parameters. It also aids in the file saving process.

Mackie have spent a long time fine tuning the console layout and features for use in the real world by real users, as even with all the digital tools offered, the TT24 still looks like an analog mixing desk and is as easy to get around as most conventional mixers. (03/2005)

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AX Series Loudspeakers

The first Loudspeakers with Concentric Summation Array™ (CSA™) Technology

With dual-trapezoidal enclosures and rotatable horns, EAW AX Series loudspeakers give you unlimited degrees of freedom to configure arrays- horizontal, vertical, even spherical sections. But it’s the patent-pending CSA technology inside that gives you near-perfect coverage in any configuration. This technology brings the AX Series several steps closer to the mathematical ideal of a point source.

3 reasons why AX Series is the Best-Sounding Installed Speaker ever:

A new sealed co-axial mid/high driver;
A radically new waveguide/phase plug that couples EAW mid/high co-ax to a single horn;
The Fibonacci Spiral.

Ultimate array flexibility

To give array designers the most flexible, predictable and powerful modules ever, EAW engineers coupled their patent-pending CSA device to high-Q and medium-Q horns. With a single driver and horn flare, AX horns can occupy the maximum amount of front baffle area and exercise broadband pattern control. Dual 12-inch woofers on either edge of the flare extend the Acoustical Singularity into the low frequencies. Finally, EAW made the horns rotatable and packaged the entire system in dual-trapezoidal enclosures. With all these options, you can use the symmetrical beamwidth of AX Series modules to build arrays that cover almost any audience perfectly.

Building our their innovation

The sound of the AX Series’ Concentric Summation Array is unmistakable. And only EAW could have created it, because they own the patents on the ideas that make it possible. We urge to experience the AX Series for yourself before you design your next array.
(03/2005)

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